Definition of composition

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Composition (n.) The state of being put together or composed; conjunction; combination; adjustment.

Lern More About Composition

Humus :: Humus (n.) That portion of the soil formed by the decomposition of animal or vegetable matter. It is a valuable constituent of soils.
Vulpic :: Vulpic (a.) Pertaining to, derived from, or designating, an acid obtained from a lichen (Cetraria vulpina) as a yellow or red crystalline substance which on decomposition yields pulvinic acid..
Duo :: Duo (n.) A composition for two performers; a duet.
Souled :: Souled (a.) Furnished with a soul; possessing soul and feeling; -- used chiefly in composition; as, great-souled Hector..
Over :: Over (a.) Upper; covering; higher; superior; also, excessive; too much or too great; -- chiefly used in composition; as, overshoes, overcoat, over-garment, overlord, overwork, overhaste..
Saligenin :: Saligenin (n.) A phenol alcohol obtained, by the decomposition of salicin, as a white crystalline substance; -- called also hydroxy-benzyl alcohol..
Protagon :: Protagon (n.) A nitrogenous phosphorized principle found in brain tissue. By decomposition it yields neurine, fatty acids, and other bodies..
Composure :: Composure (n.) The act of composing, or that which is composed; a composition..
By :: By (a.) Out of the common path; aside; -- used in composition, giving the meaning of something aside, secondary, or incidental, or collateral matter, a thing private or avoiding notice; as, by-line, by-place, by-play, by-street. It was formerly more freely used in composition than it is now; as, by-business, by-concernment, by-design, by-interest, etc..
Putrid :: Putrid (a.) Tending to decomposition or decay; decomposed; rotten; -- said of animal or vegetable matter; as, putrid flesh. See Putrefaction..
Homology :: Homology (n.) The correspondence or resemblance of substances belonging to the same type or series; a similarity of composition varying by a small, regular difference, and usually attended by a regular variation in physical properties; as, there is an homology between methane, CH4, ethane, C2H6, propane, C3H8, etc., all members of the paraffin series. In an extended sense, the term is applied to the relation between chemical elements of the same group; as, chlorine, bromine, and iodine are said
Into :: Into (prep.) Indicating insertion; as, to infuse more spirit or animation into a composition..
Gaited :: Gaited (a.) Having (such) a gait; -- used in composition; as, slow-gaited; heavy-gaited..
Drama :: Drama (n.) A composition, in prose or poetry, accommodated to action, and intended to exhibit a picture of human life, or to depict a series of grave or humorous actions of more than ordinary interest, tending toward some striking result. It is commonly designed to be spoken and represented by actors on the stage..
Under :: Under (a.) Lower in position, intensity, rank, or degree; subject; subordinate; -- generally in composition with a noun, and written with or without the hyphen; as, an undercurrent; undertone; underdose; under-garment; underofficer; undersheriff..
Poetry :: Poetry (n.) Imaginative language or composition, whether expressed rhythmically or in prose. Specifically: Metrical composition; verse; rhyme; poems collectively; as, heroic poetry; dramatic poetry; lyric or Pindaric poetry..
Latin :: Latin (a.) Of, pertaining to, or composed in, the language used by the Romans or Latins; as, a Latin grammar; a Latin composition or idiom..
Ceroma :: Ceroma (n.) The unguent (a composition of oil and wax) with which wrestlers were anointed among the ancient Romans.
Phloretic :: Phloretic (a.) Pertaining to, or derived from, or designating, an organic acid obtained by the decomposition of phloretin..
Symphony :: Symphony (n.) An elaborate instrumental composition for a full orchestra, consisting usually, like the sonata, of three or four contrasted yet inwardly related movements, as the allegro, the adagio, the minuet and trio, or scherzo, and the finale in quick time. The term has recently been applied to large orchestral works in freer form, with arguments or programmes to explain their meaning, such as the symphonic poems of Liszt. The term was formerly applied to any composition for an orchestra, as
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