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Definition of polyphonic
Thanks for using this online dictionary, we have been helping millions of people improve their use of the english language with its free online services. English definition of polyphonic is as below...
Polyphonic
(a.)
Characterized
by
polyphony;
as,
Assyrian
polyphonic
characters..
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Monophonic
::
Monophonic
(a.)
Single-voiced;
having
but one part; as, a
monophonic
composition;
--
opposed
to
polyphonic..
Monodical
::
Monodical
(a.)
Homophonic;
--
applied
to music in which the
melody
is
confined
to one part,
instead
of being
shared
by all the parts as in the style
called
polyphonic..
Homophonous
::
Homophonous
(a.) Now used for plain
harmony,
note
against
note, as
opposed
to
polyphonic
harmony,
in which the
several
parts move
independently,
each with its own
melody..
Polyphonous
::
Polyphonous
(a.) Same as
Polyphonic.
Polyphonic
::
Polyphonic
(a.)
Having
a
multiplicity
of
sounds.
Madrigal
::
Madrigal
(n.) An
unaccompanied
polyphonic
song, in four, five, or more
parts,
set to
secular
words,
but full of
counterpoint
and
imitation,
and
adhering
to the old
church
modes.
Unlike
the freer glee, it is best sung with
several
voices
on a part. See
Glee..
Polyphonic
::
Polyphonic
(a.)
Consisting
of
several
tone
series,
or
melodic
parts,
progressing
simultaneously
according
to the laws of
counterpoint;
contrapuntal;
as, a
polyphonic
composition;
--
opposed
to
homophonic,
or
monodic..
Polyphonic
::
Polyphonic
(a.)
Characterized
by
polyphony;
as,
Assyrian
polyphonic
characters..
Imitation
::
Imitation
(n.) One of the
principal
means of
securing
unity and
consistency
in
polyphonic
composition;
the
repetition
of
essentially
the same
melodic
theme,
phrase,
or
motive,
on
different
degrees
of
pitch,
by one or more of the other parts of
voises.
Cf.
Canon..
Motet
::
Motet (n.) A
composition
adapted
to
sacred
words in the
elaborate
polyphonic
church
style;
an
anthem.
Counterpoint
::
Counterpoint
(n.) Music in
parts;
part
writing;
harmony;
polyphonic
music.
See
Polyphony.
Fugue
::
Fugue (n.) A
polyphonic
composition,
developed
from a given theme or
themes,
according
to
strict
contrapuntal
rules.
The theme is first given out by one voice or part, and then, while that
pursues
its way, it is
repeated
by
another
at the
interval
of a fifth or
fourth,
and so on, until all the parts have
answered
one by one,
continuing
their
several
melodies
and
interweaving
them in one
complex
progressive
whole,
in which the theme is often lost and
reappears..
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